Video: Elton John’s Tiny Dancer
Building on Elton John and Bernie Taupin’s Californian inspiration, Max Weiland filmed a video for “Tiny Dancer” that reflects on life in Los Angeles from a dozen different perspectives. The Cut, proudly supported by YouTube, invited filmmakers to create the first official music videos for three of Elton’s most famous songs: http://eltonjohn.com/thecut
Tiny Dancer Lyrics
Pretty eyed, pirate smile, you’ll marry a music man
Ballerina, you must have seen her dancing in the sand
And now she’s in me, always with me, tiny dancer in my hand
Handing tickets out for God
Turning back she just laughs
The boulevard is not that bad
In the auditorium
Looking on she sings the songs
The words she knows, the tune she hums
Lying here with no one near
Only you and you can hear me
When I say softly, slowly
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Pretty eyed, pirate smile, you’ll marry a music man
Ballerina, you must have seen her dancing in the sand
And now she’s in me, always with me, tiny dancer in my hand
Lying here with no one near
Only you and you can hear me
When I say softly, slowly
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Count the headlights on the highway
Lay me down in sheets of linen
You had a busy day today
Behind The Lyrics
Well, Taupin says that the song was not about Maxine. Here’s the story he tells: “We came to California in the fall of 1970, and sunshine radiated from the populace. I was trying to capture the spirit of that time, encapsulated by the women we met – especially at the clothes stores up and down the Strip in L.A. They were free spirits, sexy in hip-huggers and lacy blouses, and very ethereal, the way they moved. So different from what I’d been used to in England. And they all wanted to sew patches on your jeans. They’d mother you and sleep with you – it was the perfect Oedipal complex.”
Taupin adds that the “tiny” was poetic license, although these women were all petite. And “Tiny Dancer” sounds a lot better than “Small Dancer” or “Little Dancer.”
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